
Geneva
Genève
Genf
Ginevra
Geneva is a city that embodies refinement from its impeccably maintained historic buildings to the orderly streets and placid waterways, there is an inherent elegance in its design. The Old Town’s well-preserved architecture stands as a testament to the city’s rich past, while the presence of international institutions lends the city a quiet gravity.
At times, the city feels like a step back in time, yet there's a forward-looking energy—an architecture of quiet ambition—that suggests Geneva is gently
crafting a new history.
The Swiss are discreet
tacticians, thoughtfully
shaping not only buildings
but also public spaces and
lakefront retreats like
Genève Plage.
In Geneva, change feels
nearly imperceptible—so
gradual, so deliberate, it
never disturbs the context.
Even in new construction,
reflections of the past
shimmer in the glass,
ensuring that the old
is never far from view.
If Geneva were a film, it’d be rated G—gentle, slow, and quiet. It doesn’t have the buzz of Zurich or the nightlife of other European cities, but that’s what I grew to love about it. Life in Geneva moves at a different pace - days are spent outdoors (especially when you live in a tiny apartment) - running along the lake, swimming at Bains des Pâquis, boating across Lac Léman. The parks are generous, with sweeping views of the Jura and, on clear days, Mont Blanc in the distance.
The city is framed by nature. The tallest structure isn’t a tower, but a fountain—the Jet d’Eau. Everything seems to orbit the lake, which pulls in glacial runoff from the Alps and gives the city its rhythm: seasonal, cyclical, always in motion. The buildings are low, leaving space for the sky. Wherever you are, you’re reminded of the landscape’s quiet power—water, mountains, light—and the way they shape how people live here.
The Jet d’Eau is Geneva’s most iconic landmark—a wayfinding gesture on the skyline. In a city framed by mountains and water, it feels intentional that the tallest structure isn’t built, but fluid. A vertical axis in the landscape, it reminds us that even in a place shaped by precision and control, nature still defines the scale.
In Geneva, I worked as an Architect for Eric Maria Architectes (EMA). EMA’s projects range from the National Museum of Qatar, large-scale multi-family developments and public infrastructure, namely the five CEVA train stations connecting Geneva and France, in addition to luxury private residences and the Swiss National exhibition - Expo 02 – Artplage of Morat.
My work with EMA includes the CEVA train stations, the Pavilion TIC for the WHO, Chrysalide, as well as a design competition in partnership with Atelier Jean Nouvel (Paris) for a palatial complex in Al ‘Ula Saudi Arabia.
CEVA
Five Train Stations in Geneva, Switzerland
Client: Canton of Geneva CFF
Lead Architectes: AJN, Atelier Jean Nouvel, Paris & EMA, Eric Maria Architectes, Geneva
Pavillon TIC Organisation des Nations Unies, Geneva, Switzerland
https://ericmaria.com/projects/2020-pavillon-tic-organisation-des-nations-unies-geneve/
Temporary Pavilion / Conference Hall for over 300 people
Clients: Expomobilia - MCG Live Marketing Solution AG
Lead Architectes: EMA, Eric Maria Architectes, Geneva
Chrysalide - Chatel St. Denis, Switzerland
https://ericmaria.com/projects/2023-chrysalide-chatel-st-denis-switzerland/
Housing and Commercial
Clients: TPF IMMO
Lead Architectes: EMA, Eric Maria Architectes
Partners: INGPHI SA - SRG Engineering
Evening Commute:
Every day I took a water taxi across the lake to work. One of the many lasting memories I have from living in Geneva.