These works explore repetition, color, and surface as a kind of architecture—built from rhythm and attention rather than plan and program. Each piece begins with a simple gesture repeated until it becomes something else: meditative, imperfect, and physical.

The works are quiet but deliberate. Edges, seams, and subtle variations in tone reveal how they’re made. What remains is the trace of a steady process—attention, order, and small shifts over time.

Started in 2018, the series continues alongside my architectural practice as a parallel study in proportion, material, and patience.